[{"command":"insert","method":"replaceWith","selector":".gallery-artist-gallery-10536","data":"\u003Cdiv class=\u0022gallery-artist-gallery-10536\u0022 id=\u0022field-image-artist-gallery\u0022\u003E\u003Cimg loading=\u0022lazy\u0022 class=\u0022img-fluid\u0022 src=\u0022https:\/\/nationalartsprogram.org\/sites\/default\/files\/user-gallery-images\/Screenshot%202024-02-16%20at%202.55.53%E2%80%AFPM.png\u0022 \/\u003E\u003C\/div\u003E","settings":null},{"command":"insert","method":"replaceWith","selector":"#gallery-user-info-10536","data":"\u003Cdiv id=\u0022gallery-user-info-10536\u0022\u003E\u003Cp\u003E\u003Cb\u003EMixed Media\u003C\/b\u003E\u003C\/p\u003EPorture (Gold Face) 07\/01\/2019.\r\nAcrylic on canvas over plywood, 24 x 20 x 1\/2 in (61 x 51 x 1.3 cm)\r\nPortion of this piece (the center) started my SDED \/ Porture series, and it was made around 2000 when, unaware of Bonalumi\u0027s (or Fontana\u0027s) work, I wondered why the canvas, the support of paint for the traditional painting, receives such a disproportionate attention, and I tried to correct that by embossing objects into the canvas and holding the emerged shape... Years later, I learned about the artistic philosophy of the two great Italian artists, and I realized that, combined, the Bonalumi\u0027s 3D approach, and the Fontana\u0027s open-up-space solution\u2014a fontalumi gesture\u2014can create a smooth approach to a three dimensional painting!... \u003C\/div\u003E","settings":null},{"command":"insert","method":"replaceWith","selector":".image-artist-title-10536","data":"\u003Ch3 class=\u0022image-artist-title-10536\u0022\u003EPorture (Gold Face)\u003C\/h3\u003E","settings":null}]