[{"command":"insert","method":"replaceWith","selector":".gallery-artist-gallery-10536","data":"\u003Cdiv class=\u0022gallery-artist-gallery-10536\u0022 id=\u0022field-image-artist-gallery\u0022\u003E\u003Cimg loading=\u0022lazy\u0022 class=\u0022img-fluid\u0022 src=\u0022https:\/\/nationalartsprogram.org\/sites\/default\/files\/user-gallery-images\/Screenshot%202024-02-16%20at%202.56.27%E2%80%AFPM.png\u0022 \/\u003E\u003C\/div\u003E","settings":null},{"command":"insert","method":"replaceWith","selector":"#gallery-user-info-10536","data":"\u003Cdiv id=\u0022gallery-user-info-10536\u0022\u003E\u003Cp\u003E\u003Cb\u003EMixed Media\u003C\/b\u003E\u003C\/p\u003ESDED-00, 06\/17\/2019.\r\nAcrylic on canvas over plywood, 24 x 20 x 2 in (61 x 51 x 5 cm)\r\nSDED-61719 is the next work of the series that, very ambitiously, is trying to take to the next level the artistic philosophy of two great Italian artists, Agostino Bonalumi and Lucio Fontana, whose approach to the flat surface makes a lot of sense thus when merged together, Bonalumi\u0027s space can physically generate three dimensions just by using Fontana\u0027s solution to \u0022open up space,\u0022 in which case the flat art piece can escape the two dimensional trap. The logic behind this line of action is that in order to build a three dimensional space you need 2-D elements or the 3-D doesn\u0027t happen. In theory, this perspective is doable but it triggers an inevitable amount of planning that is necessary for the piece to be completed. Who knew that a little science and a drop of engineering can help solve an artistic dilemma?!\u003C\/div\u003E","settings":null},{"command":"insert","method":"replaceWith","selector":".image-artist-title-10536","data":"\u003Ch3 class=\u0022image-artist-title-10536\u0022\u003ESDED-00\u003C\/h3\u003E","settings":null}]