Artist Gallery

Works on Paper

Pastel on Paper

Works on Paper

Digital drawing.

Craft

The calm serenity of a snowfall in a stand of pine trees. The snow glistens as it falls. This piece is 16 x 20, is made from sewn fabric, attached to wooden stretcher bars and ready to hang.

Works on Paper

Colored Pencil Portrait 10in x 12in

Photography

Painting

Alvin Yorks Grist Mill in Pall-mall Tn. 16x20 Acrylic

Painting

Acrylic on Canvas (Original)
30" x 40"

Mixed Media

Painting

Ink and Wax, 16x20. 2013. Kevin Bass

Photography

Image of Mt. Everest, Nepal, captured in a rare moment of serendipity with simultaneous alpenglow from last light of the day and moon rising over the shoulder of the world' highest mountain. This shot has achieved some notoriety and was the cover photo pf "Everest: The Testing Place" published by McGraw-Hill.

Photography

Here is a photo of one of my guitars, an Eastman 910 archtop jazz guitar taken late at night with spooky illumination from beneath. I used an iPhone SE.

Mixed Media

SDED-3, 07/06/2019.
Acrylic on canvas over plywood, 24 x 20 x 1/4 in (61 x 51 x 0.6 cm)
Here's another piece ready for your viewing enjoyment—when working simultaneously on about 20 works, the time when they can truly be consider ready changes often.
The piece, like all the others in the series, is trying to take to the next level the artistic philosophy of Agostino Bonalumi and Lucio Fontana, whose approach to the flat surface makes a lot of sense thus when merged together, the Bonalumi's space can physically generate three dimensions just by using Fontana's solution to "open up space," in which case the flat art piece can escape the two dimensional trap. The logic behind this line of action is that in order to build a three dimensional space you need 2-D elements or the 3-D doesn't happen, and layers become the perfect solution!

Sculpture

This work is a projection of light through wooden slides made from spalted silver maple that is riddled with holes from powder post beetles.  This piece incorporates a projector that must sit on a pedestal and have access to electricity. 

Sculpture

This seahorse was made on a wood backing with many different colored recycled caps and is ready to hang on a wall.

Sculpture

A paper mache dragon.

Works on Paper

Painting

4x5 oil

Painting

Just wanted to show how many shapes exist and how they often collide.

Photography

all my own photography work
mix photos of:
my arms/hands
creek in my backyard
space photography i made in photoshop
all made with photoshop

Works on Paper

Craft

Leaded Stained Glass with hand painting

Painting

Painting

Mixed Media

This self portrait was created using an MRI image of the artist's brain and head, which were 3D rendered in the program OsiriX. The DNA (silver) and RNA (pink) were created in Blender. The crystal structure of the RNA polymerase II (orange) was imported from the protein data bank and manipulated using Blender. the image of the neuronal nuclei was obtained via confocal microscopy. The blue is Hoescht dye, which stains for nucelar DNA. The pink dots in the background are RNA that were visualized by Cy5-labeled RNA FISH probes against the repeat RNAs that are transcribed (observed in the foreground). The green is the protein, nucleolin, that was stained with nucleolin-specific primary antibodies and Alexa 488 tagged secondary antibodies. Yellow represents the co-localization of hexanucleotide repeat RNA with nucleolin (Cy5 + Alexa488). All of the images were compiled and edited in the software GIMP. 

Photography

Painting

4PAINTEDPAWS.COM

Works on Paper

Graphite on paper

Photography

I find it a great hobby taking photos of wild mushrooms

Photography

Works on Paper

Osteo Borg 1, 18x24” Graphite Bristol Board, 2017.
What would it be like to look upon an utterly non-human unearthly entity?  How would a landscape feel if it were occupied by something that was truly not us?  Is there some common nature shared by all possible forms of life, even those that might never come to pass?  Perhaps nature will fuse biology and feral technology into future ecosystems that bear only the slightest hint of their anthropoid origins

Painting

Acrylic pour

Works on Paper