Artist Gallery

Painting

Oil on canvas.

Painting

Works on Paper

Painting

Watercolors

Sculpture

Hyperrealism: horse: clay human hair, "Refuse": clay, plaster, cotton, plastic

Photography

A deteriorated space near the main entrance of the former Bethlehem Steel Corporation Plant in Bethlehem, PA

Photography

Plant Patrol Headquarters overgrown at the former Bethlehem Steel Company in Bethlehem, PA

Mixed Media

Created as a Window Decal to honor a fallen Brother Lt. Szczerba

Painting

Painting

Oil on Wood Panel, 20 x 24"

Works on Paper

Painted using alcohol inks on yupo paper
www.InksInMotion.com

Photography

In Manchester, NH just enjoying a beautiful summer's day laying under a bridge daydreaming .

Painting

Starry Night – Blanket Dancer

It is the coldest, moonless night of the Winter. Tribal Wetus cluster in a small village near the frozen river. On such a cold clear night, the stars and the ‘Milky Way’ shine brightly. Unknown to the Tribe, huddled near their fires, their angelic Blanket Dancer paces the words of the dance, holding out her transparent blanket over them, “I will keep you safe, I will keep you warm, I will shelter you and warm you, come into the shelter of my blanket.” Such a dance as a young woman would dance. Also unknown to them, their Fox totem keeps watch over them, through the long cold night.
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It is the coldest, night of the Winter. Tribal Wetus cluster near the frozen river. The ‘Milky Way’ shines brightly. The Angelic Blanket Dancer paces the words of the dance, holding out her transparent blanket over them, “I will keep you safe, I will keep you warm.” Their Fox totem keeps watch.

Works on Paper

Ovarian and uterine cancer are silent killers.  This artwork was created to create awareness.  Support research for a cure.

Painting

Works on Paper

Mixed Media

SDED-BlackStar, 2021
Canvas on cardboard, and plastic cone, 5.25 inch side octagon,
12.5 x 12.5 x 4 inch (32 x 32 x 5 cm)
It happened, it finally happened! I have gathered enough energy since April of last year to post an image of another art piece. I love sharing my artistic creations with the world, but I lost my ardor to strive for acceptance from the art community, therefore there were only a few posts on my IG accounts and a lot of breaks.
Once again, the middle road between Fontana and Bonalumi appears to be the right call to escape the two dimensional plane. Bonalumi got it right and sculpted the 2-D surface that would eventually redefine the notion of color (-field) bas-relief (3-D). On the other hand, Fontana cleverly ripped the two dimensional space in order to allow another (virtual) dimension to be born. The beauty is that combining the two surface approaches enables a more realistic step between the two and three dimensions making the impossible (2.5-D) look, at least on an intellectual level, more realistic.
My (black) SDED-Octagon has a Bonalumi-like element that was passed through a Fontana-like space. I was always intrigued by compositions holding the same color, white on white, black on black, etc., and my octagon is exploring this never easy, simple yet rich monochrome combination.

Photography

Photography

Painting

Pastels

Sculpture

Painting

Savannah’s Little Lighthouse is my rendering of the Cockspur Island Lighthouse at the mouth of the Savannah River at Lazaretto Creek. It’s a combination of acrylics and watercolor pencils on 11×15 cold pressed watercolor paper. The history of the state’s smallest lighthouse is quite fascinating to me. It is quite remote and can only be reached by boat. In my youth, I used to always think it looked so lonely, out in the mouth of the river, when we would drive past it on our way to Tybee. Enjoy!

Works on Paper

Made with Ink & a piece of Tart with a tooth brush

Painting

Oil on stretched canvas 48 x 36"

Mixed Media

she brings love

Works on Paper

Pastel on Paper

Painting

Works on Paper

A clear cold night in Boston where flower merchants were displaying their wares caught my eye. I was great fun to paint!

Mixed Media

Photography

Mixed Media

Humanity can survive a disaster after being rescued and cared for with basic human needs: food, shelter and a sense of belonging. This work is part of the Connection series, where the colorful dots connect the concepts underneath. Constructed using only original vintage papers from the WWII era, it is a memory of American-occupied Berlin during this period of our history. 

Works on Paper

Pencil drawing.