Artist Gallery

Photography

Craft

Works on Paper

Photography

The beginning of a new plan the former Bethlehem Steel Corporation Plant in Bethlehem, PA

Painting

24" x 30", oils on gallery wrap canvas

Painting

Painting

Ocean action off Duncan's Landing beach near Bodega Bay, California.

Painting

36 X 48 Acrylic on Canvas

Works on Paper

11"x18"

Painting

Painting

Oil on canvas

Works on Paper

Charcoal & Graphite on paper, 9"x12"

Craft

12"x12" Fused Glass Orange demensional poppies on periwinkle blue with iridized crackle glass.

Photography

Painting

This acrylic painting is #10 in my Bowling Ball House Series. 

Painting

Painting

That feeling you get that makes you want to dance when you know something good is coming or about to happen.

Works on Paper

Photography

Painting

Acrylic painting on canvas. 16"x20"

Photography

Painting

I used ink and paint to create these images

Painting

Painting

Optagonal Acrilic peninting on Canvas.43" diameter

Painting

This painting explores the emotions of three loving and caring people. Each person is being represented as a flower for  their fragility

Painting

Works on Paper

Watercolor portrait on paper using just one color of blue paint

Works on Paper

Digital drawing.

Photography

Painting

Maine on a lovely summer day.

Painting

Photography

The Sunday River Covered Bridge is commonly called the Artist’s Bridge.

The bridge, built in 1872, is a 100-foot structure that spans the Sunday River in western Newry in the state of Maine. The unnamed artist is John Enneking, one of America’s first impressionists. Before Enneking became a painter, he was Union soldier in the Civil War, who was captured and held as a prisoner of war. After the war ended, he relocated to Boston and threw himself into his craft. He eventually became one of the first Americans to paint in Monet’s garden (which boasts its own singular overpass, the iconic Japanese bridge over the pond of water lilies).

Upon returning to the states, Enneking became a specialist in New England landscapes, rendering the mountains and bridges of the region in loose brushstrokes and rich hues. He was fond of Newry and came often to paint in plein air by the side of the bridge. He was seen working in the structure’s vicinity so often that passersby began referring to the Sunday River bridge as the Artist’s Bridge. Today, a hundred years after Enneking’s death, both his paintings and the name endure.